The Collection
The Tom
The Lennon
The Five-O
The 008
The Zid
The Millimetre

The Hands
Roughly one hundred and twenty pairs of Japanese hands touch a single frame before it is finished. From the first cut to the final polish, a frame takes close to a year to come off the bench.

The Acetate
Japanese cellulose acetate, cured in sheet for months before it is ever cut. The depth in a Havana or a Marble is not printed on — it runs all the way through.

The Curve
Every silhouette is drawn, cut, worn, and drawn again. A frame leaves the bench only when the line reads correctly from three-quarter view — the angle nobody photographs and everybody sees.

Kaizen
Every frame we make, we make in Sabae, Fukui. No second factory, no second story. What shapes everything else is a word we borrowed from the same valley: kaizen — improvement with no end point.
We build in batches of three hundred, then we change what the last run taught us, and the next three hundred are cut with those answers already in them. Which is why no two batches are identical, and why every run is a limited run.
Shapes bold enough to be remembered, made quietly enough to last.Vogue México
New colorways go out here first
We work in small runs. When a new colorway, a collaboration or an archive re-issue comes off the bench, the list sees it before the shop page does.